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这是我第二次与 Apple 合作。这次我用 iPhone 17 Pro 拍摄了大量照片。
坦白讲，作为一个摄影师，我几乎不用手机拍照，数码相机都用得很少。但这次不一样，无论它的外观还是它强大的功能都让我迫不及待想尝试拍点儿什么。
“物尽其用” 是我一直以来摄影的态度，就是把你手中有限的设备发挥到极致，甚至挖掘无限的可能。所以这次拍摄中，我不仅拍摄了大量人物肖像，也尝试了不同的焦段，频繁地使用闪光灯；同时还在不同光照条件、不同时段、不同季节的环境中拍摄。所以在这本作品集中，你可以看到非常丰富、复杂的摄影状态与画面类型。
而且我始终认为一台好的数码相机，应该有足够大的后期空间，所以在这次的作品中，我和我的修图师在软件层面尽可能地 “压榨” 这些照片在修图与调色上的潜力。我觉得这才是这台手机的价值最大化。
我也常常觉得，手机摄影最大的问题是 “过于容易”，过于容易导致按下快门后就缺乏思考，不够谨慎。但如果你打算将手机摄影整理成一本画册交付给他人阅览，甚至让它以实体的形式在这个世界上长期存在，我相信，无论是谁，都会对影像本身更加慎重与严肃。正因如此，这本作品集凝聚了我相当一段时间的心力。说实话，并不轻松。
关于画册的编排与设计我其实还有不少想法，但在这里就不再展开了。欢迎大家关注我的各个视频平台，我会在那里更详细地分享整个创作过程。
最后，感谢 Apple，
也感谢一直关注并喜爱我摄影作品的朋友们。
TenGuSan
This is my second collaboration with Apple. This time, I shot a large number of photos using the iPhone 17 Pro.
To be honest, as a photographer, I rarely use a phone to take pictures, and I don’t use digital cameras very often either. But this time was different. Whether it was the design or the sheer power of its features, the device made me eager to pick it up and shooting something.
“Making full use of what you have” has always been my approach to photography—pushing the limited tools in your hands to their limits, and even uncovering seemingly limitless possibilities. So in this shoot, I not only photographed a large number of portraits, but also experimented with different focal lengths and used flash frequently. I also shot under different lighting conditions, at different times of day, and across different seasons. As a result, this body of work presents a wide range of photographic situations and visual types that are both rich and complex.
I’ve always believed that a good digital camera should offer ample room for post-production. For this project, my retoucher and I did our best on the software side to fully push the limits of these images in terms of retouching and color grading. I see this as a way to truly maximize the value of the device.
I often feel that the biggest issue with mobile photography is that it’s too easy. That ease can lead to pressing the shutter without enough thought or care. But if you intend to turn mobile photography into a photo book for others to view—especially one that will exist physically in the world for a long time—I believe anyone would take the images far more seriously. That’s why this book represents a significant investment of time and effort on my part. Honestly, it wasn’t easy.
I also have quite a few thoughts about the sequencing and design of the photo book, but I won’t go into detail here. You’re welcome to follow me on my various video platforms, where I’ll be sharing the entire creative process in more depth.
Finally, thank you to Apple,
and thank you as well to all the friends who continue to follow and support my photography.
TenGuSan
